October 16th, 2003, 11:38 am
QuoteOriginally posted by: MobPsychoQuoteOriginally posted by: NoniusMob, finally an articulate reaction from you. I sense that you have read my tale. Anyway, my memory is quite good, and your previous commentary about my writing style DID NOT point to the cartoonish nature of my characters, but, rather something much more inarticulate. Nevertheless, yes, my characters are shallow. Then again, they don't need to be deep for these purposes.My original commentary absolutely did point to the idea - and I am paraphrasing now - that when a character's eyes so much as blinked, you failed to assign a "hidden" motive to it. You moved past various characters at your psychedelic white trash intellectual gathering in South Florida, but did not give these characters a chance to move the world - and this is new phrasing today - only to sit there like dalmatians on a lawn with shock collars.My comment then was that the world is not, in fact, animated by people's ambitions, or passions, or schemes. But - and this was my argument at the time - in order to write fiction, you have to pretend that it does. I gave an example either in that post (and/or in another post soon after that), that when somebody wins the lottery in a fiction, you have to portray him not as having gotten lucky, but as having persevered, or something.If my original commentary was inarticulate, it was only because I did not want to come across as making a Herculean effort to tear down what you had constructed. Even if it did not convey my point clearly - which I thought it did - it at least conveyed the casual and amateurish nature of my reaction and critique accurately. And even if your gratitude expressed for my critique at the time was not genuine, it conveyed that you received it in the correct, informal tone.MPMP, a few more remarks...My inspiration comes from the following writers....1. Gogol (and to a lesser extent, Bulgakov, although I consider him to be a watered down version of Gogol).2. Tom Wolfe. 3. The Writers of the Simpsons.4. F Scott Fitzgerald.5. Henry James.6. Dostoevsky.The first three on the list, to a large extent, do not develop characters into the degree that you have demanded in your post. Most of the characters from the writings of the first three sources are mere caricatures of humans. Rather, these writers rely on literary absurdity and irony to convey their respective ideas. Their genius lies in the development of absurd plots that tear down and expose various absurdities and contradictions in society. The last three, pretty much in the order that I’ve listed them, develop real life characters on a much deeper level. I should qualify this by saying that Fizgerald and James elected to focus on luxurious and flowery language, while Dostoevsky, by sheer brute force, was able to pry open the Human Soul with simple words. Nobody even comes close to Dostoevsky in this respect. In fact, I would in theory like to write like Dostoevsky, but this would be a full time job. (By the way, I have a strong suspicion that Fyodor really did kill someone in his life, and that he got away with it.) He really, at the end of the day, is a philosopher, and much of the dialogue in his writings reflects, well, self-reflection and introspection. In the end, in my limited amount of time (roughly one hour per day), I end up attempting to ape the styles of the first three on the list.